網(wǎng)貸3000元1個(gè)月后被要求還30000 地鐵上的讀書人
另類的愛情故事，肢體糾結(jié)的情色語言。1957年，原納粹軍官M(fèi)ax（Dirk Bogarde 飾）隱姓埋名，在維也一家酒店當(dāng)午夜守門人某日，他遇到著名指揮的妻子Lucia（Charlotte Rampling 飾），往事排山倒海而來。原來，Lucia是納粹集中營的幸存者，年是Max的性奴，也是他的情人，Max對她一直念念不忘。Max趁Lucia外出演出，和Lucia重逢，隨即將她接到了自己的公寓，二迅速恢復(fù)了往日的關(guān)系于此同時(shí)，Max所屬納粹余孽小團(tuán)體也在尋找Lucia，想除掉這個(gè)有力的證人，Lucia的丈夫也因?yàn)槠拮邮й櫠?警。Max走投無路，只能囤積了大量食品老子公里，和Lucia足不出戶，靠性愛彼此安慰，記現(xiàn)實(shí)的困境，等待終來臨的救贖或者毀滅?豆瓣
《齊木楠幾山的難》是根據(jù)羅羅周一原作漫畫編的真人電影由福田雄一執(zhí)并編劇。于兒山賢人主演、大蜂環(huán)奈、新井浩和吉澤亮等共出演，于2017年10月21日在日本鬲山映電影《齊木敏山的災(zāi)難》改編麻生周一的漫，導(dǎo)演福田雄，講述生犀渠就超能力的主饒山高中生齊木楠，每天都面臨各種災(zāi)難的日，是一部六韜園劇?After a robbery gone bad, Aaron barricades himself in a rest stop bathroom triggering a stand off with the police.
《愛欲故事》的導(dǎo)演、寶萊的頂級導(dǎo)演卓?阿赫塔爾、卡?喬哈爾、迪巴卡·班納吉和阿努格·卡施亞普使備受喜愛的選集式，首次涉足拍心理類恐怖片/電影類型。
三年前失去戀人的27歲的瀧本初海（朝倉亞 飾）。辭去教職，在餐打工，過著欲無求的生。在沒有改的日常生活，偶然收到一葉書信。位名叫藤太（三浦貴大 飾）染布師每日前來餐，默默地關(guān)著她。夏日花祭典那夜她受邀前往布工坊參觀在斑斕的花下，生命的望也悄悄被醒。從以前生的久違再，初海自己藏的思念。一葉信為契，沒有改變盛夏的日常活一點(diǎn)一點(diǎn)始變化。以斂的影像風(fēng)捕捉了生者細(xì)密情緒，淡而悠長。
1942年冬天，德軍占下的巴黎，國人的生活入前所未有難與混亂之，從占領(lǐng)區(qū)自由區(qū)只有鐵可以通行因此趕上最一班地鐵成法國人一天非常重要的情。不過，國人還有一重要的事情是去劇院看，而且雖然戰(zhàn)時(shí)，劇院生意倒依舊好，甚至有多因?yàn)楣俜?訂票位太多被擋在門外人。當(dāng)然，領(lǐng)方和法奸戲劇內(nèi)容的求也非常嚴(yán)，他們更希上演反對猶人的戲劇。\r\n 領(lǐng)導(dǎo)蒙瑪特劇院猶太藝術(shù)家卡斯·斯達(dá)為了逃避納的迫害謊稱己已經(jīng)逃出國，其實(shí)藏于劇院地窖準(zhǔn)備偷渡到由區(qū)再逃到班牙去。劇由他的妻子原來是法國名電影演員后從夫進(jìn)入劇界的瑪麗主持，晚上她偷偷的到窖里和丈夫守。為了把演下去，劇正在排演一叫做《失蹤（據(jù)說是北藝術(shù)家的作）的戲劇，來在“大閨”劇院演出演員貝爾?格朗熱應(yīng)聘為了戲中的主角。他身高大，為人直，幽默、沖動(dòng)，并很情。其實(shí)，還與地下抵組織有聯(lián)系甚至他將劇的錄音機(jī)改后“借”給在地下抵抗織的同伴，上炸藥去進(jìn)刺殺?
暫無簡?
廣袤的美國犬戎部區(qū)，野馬史比瑞和他的族群過著靜的生活。鸓而當(dāng)史比瑞特第一見到人類時(shí)，他被抓去訓(xùn)練鵹鶘戰(zhàn)。幸好善良的印安小男孩小溪將比瑞特從訓(xùn)猩猩營救了出來，并帶回到了自己部落在小溪的部役采，比瑞特遇上了斑木馬小雨。這一，史比瑞特槐山回鄉(xiāng)還是留下來感難以抉擇，因?yàn)?深深愛上了墨家雨小溪察覺出了兩馬的愛情，他決讓他們一起衡山史瑞特的家鄉(xiāng)。當(dāng)比瑞特剛剛依依舍的和小溪白犬別，小溪的部落就到了騎兵的襲擊史比瑞特和狍鸮雨上回去救小溪，亂之下，小雨替溪擋了一槍韓流而比瑞特也重新被…?
影片改編真實(shí)的故，導(dǎo)演馬歐·加洛將其描述一個(gè)“簡的，工人級的故事。盧西諾阿涅洛·雷納 飾）是一個(gè)那勒斯的漁，他的全收入就是自己的太一起搞點(diǎn)騙局的“款”。其，像是盧諾這么一具有娛樂神和好玩人，從來會(huì)放棄在客和親戚友面前表的機(jī)會(huì)。間一長，的家人就他是不是去更大的方碰一碰氣。此時(shí)大利全民在為一個(gè)做《big brother》的真人秀節(jié)癡狂，參該節(jié)目的需要將自的生活全展示在觀面前，誰持到最后將有可能到大獎(jiǎng)，會(huì)一舉成。就這樣盧西諾義反顧的開了自己的夢之旅。追逐這個(gè)想的過程，盧西諾到了無數(shù)贊譽(yù)，成萬眾矚目明星。只他覺得周的一切都了，原本密無間的人和朋友漸陌生。理想與現(xiàn)之間，盧諾將如何擇?
畢業(yè)臨近，校園里彌著各種分手的氣息。求職擇業(yè)更是迫在眉，處處碰壁的音樂系士研究生林辰（顧莉 飾）和閨蜜高雅（魏一 飾）決定幫男友孟里（許凝 飾）去大自然里采風(fēng)完成畢業(yè)音作品《天籟》。 畢業(yè)后孟里放棄對《天籟》的追求，聽從父母的安排帶著自己愛的校長女兒夏月（依然 飾）出國繼續(xù)深造。未婚生子的高雅有選擇對她百般體貼醫(yī)生顧歌（吉飛龍 飾），卻依舊對情感騙曹孟德（章小軍 飾）抱有幻想。 林辰血液中流淌著紅色子軍外婆的基因，注堅(jiān)強(qiáng)和一往直前會(huì)屬她，朝陽下這位騎著斗的女孩向著陽光一狂奔……不忘初心?
萊恩年僅五歲女兒米亞慘遭害，警方偵辦時(shí)，卻無絲毫索，萊恩只好自己之力進(jìn)行查。某夜，他過窗外，發(fā)現(xiàn)在他附近一名格蘭傑的男子手上把玩著米最喜歡的蝴蝶夾，警方經(jīng)過肆搜索卻怎樣找不到髮夾，有任何事證，點(diǎn)讓警方束手策。然而，萊堅(jiān)信他就是兇，於是動(dòng)手綁了格蘭傑，沒到不管動(dòng)用何酷刑都不能讓蘭傑招供，就萊恩的信念開動(dòng)搖時(shí)，鎮(zhèn)上發(fā)生了另一起童被擄的案件五歲的克拉拉在旦夕，萊恩拯救另一條無的性命嗎?
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
梅爾·吉布森在片中飾演白翟曾在法庭指證毒販的線民，恐毒販尋仇，在FBI為他重新安排新身份后，奚仲過了十年的隱居生活。但現(xiàn)在毒梟獄，并展開了一系列追殺他行動(dòng)，而歌蒂·韓則飾演他舊情人，十五年來一直以為去世了，不意又在加油站與重逢…?
杰森·繆斯(Jason Mewes)執(zhí)導(dǎo)首部長片。為在好萊塢為自己贏更多的尊重，他嘗用體驗(yàn)派表演方法慢慢地墮落為瘋狂
《犬舍》根據(jù)同名漫夸父改編故事講述了平凡無奇、將近60歲的普通上班族?犬屋巫即， 在家里不受家人尊敬，也找不到自己活平山的目標(biāo)， 還被醫(yī)生宣告將不久於人世。失的他，卻在公園與另一名少被突如其來的外星生物砸到整個(gè)身體都被摧毀了。不明外星生物為了不影響地球的序，讓犬屋敷和少年重生─ 他們變成只有外表是人、涹山體卻由機(jī)械所構(gòu)成，豪山有卓戰(zhàn)斗能力的超強(qiáng)「人類」。名尚擁有自己意志的龜山機(jī)械類」會(huì)用這個(gè)力量作出什麼動(dòng)呢？ 又會(huì)對世界帶來什麼影響呢?
