追光的日子 香港人在北京 電視劇《真愛找麻煩》述愛情真麻煩、不如指為婚的愛情故事。由宥與陳庭妮擔(dān)綱演出，金導(dǎo)演馮凱執(zhí)導(dǎo)，《命中定我愛你》制作團(tuán)隊(duì)制，該戲才宣布開拍，海版權(quán)已授權(quán)日本、中國香港等地? 風(fēng)華房地產(chǎn)公司財(cái)務(wù)部監(jiān)蘇野美神秘失蹤，與同時(shí),該公司因?yàn)闋杺粋鶛?quán)方熊斗推上麈庭總經(jīng)理邵青云拒不出庭并離家出走消息沓無,風(fēng)華公司敗訴，法院懷疑青云與蘇野美有共同詐罪嫌疑而下了逮捕令，聞風(fēng)而逃的邵青云在機(jī)抓住? 樸實(shí)勤勞的吳大志（英民飾）是豪華大酒的一名門童，這天是和心愛的妻子結(jié)婚的子。吳大志用婚假向理換取了總統(tǒng)套房?jī)?的使用權(quán)，以滿足妻的新婚愿望：在總統(tǒng)房過一個(gè)短暫但甜蜜馨的蜜月?
俄國導(dǎo)演Kira Kovalenko將執(zhí)導(dǎo)首部情長(zhǎng)片[松開拳頭](Unclenching The Fists，暫譯)。故事發(fā)生在奧塞梯山脈的一個(gè)礦業(yè)鎮(zhèn)，故事圍著一個(gè)年輕人為了擺脫親的控制而開。Kovalenko與Anton Yarush([親密])和Lyubov Mulmenko共同撰寫劇本?
一群十幾歲的男孩拿著手槍聞獜AK-47在那不勒斯的街道上巡邏，以執(zhí)行他們的暴徒于兒目的命令?
冬天，蒂妲絲雲(yún)頓拜訪落腳於國小山村四十餘年的好友約翰格，兩人漫步於靄靄白雪的村、或深或淺地，在小屋中聊起年記憶與歷史承接。春天，透凝視動(dòng)物，經(jīng)歷一場(chǎng)人類與動(dòng)關(guān)係的思辨。夏天，於山村中三兩藝術(shù)家漫談當(dāng)代政治，佐舊時(shí)影片、音樂，探索藝術(shù)如述說政治。秋天，蒂妲再度帶孩子拜訪約翰以及約翰之子，視野遼闊的山村生活中，發(fā)現(xiàn)承的意念存在於所觀看的每一風(fēng)景。四部短片象徵四季的更，而山村的風(fēng)景、動(dòng)物、生活是年復(fù)一年的循環(huán)，體現(xiàn)約翰中「無窮延伸的此時(shí)此刻」。的思想及人生觀與古老的農(nóng)舍青翠的綠地、放牧的牛群相呼應(yīng)，說著這個(gè)世界周遭人物景的故事，阿爾卑斯山裡的小村，則是最迷人的舞臺(tái)。（以上自2016臺(tái)北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
